Tim Greve

Founder & CEO at Seven200.AI Studios

Tim Greve

Founder & CEO at Seven200.AI Studios

Tim Greve has been active in the film industry for more than 30 years. From 2019 to 2025, he served on the management board of Constantin Film Produktion as Head of Production for the Constantin Film Group.

Before joining Constantin, Greve worked as a Production Executive at UFA Fiction, where he oversaw numerous high-end series and prestigious television events. Among the most acclaimed productions from this period were the International Emmy Award-winning titles Unsere Mütter, unsere Väter (Generation War, dir. Philipp Kadelbach) and Deutschland 83 (dir. Edward Berger and Samira Radsi).

At Constantin Film, Greve was most recently responsible for a range of notable productions, including the high-end series Smilla's Sense of Snow (dir. Amma Asante), Eldorado KaDeWe (dir. Julia von Heinz), and The Palace (dir. Uli Edel), as well as the acclaimed TV drama The Conference (Die Wannseekonferenz, dir. Matti Geschonneck) and the International Emmy Award-winning Netflix miniseries Dear Child (dir. Isabell Kleefeld and Julian Pörksen). In addition, he oversaw numerous other productions for the Constantin Film Group in recent years.

In October 2025, Greve took the step into entrepreneurship, founding seven200 Studios. A new film, TV, and commercial production company that combines traditional filmmaking with virtual production and generative AI.

Session Details

Presentations & Panel Discussions | Expert StageAI Update: Latest AI Use Cases from Germany16:00 - 17:15 Expert StageThe three most advanced AI productions in Germany right now, presented by the people making them. Mark Wachholz and Yoko Higuchi-Zitzmann bring their brand-new company DREAMKITE Studios to the stage for the first time. They introduce “The Wind Before the Name”, an ambitious feature-length project conceived to be generated entirely with AI. Chapter41 (Beta Film) and X Filme Creative Pool show “VOLCANO HIGH”, where the performances are real and the world around them is generated with AI. And Tim Greve of seven200 AI Studios and director Rainer Matsutani of Red Sun Films open up an AI-generated animation project while it is still being made. From full AI to hybrid production to work in progress, the session shows what generative AI production in Germany looks like right now.

Session Details

What does the cutting edge of generative AI production in Germany look like right now? This session brings together the three most advanced AI productions in Germany today – a full-AI cinema production, a hybrid live-action/AI short and an AI-generated animation project still in development.

“The Wind Before the Name”

Mark Wachholz & Yoko Higuchi-Zitzmann | DREAMKITE Studios

DREAMKITE Studios introduces “The Wind Before the Name”, an ambitious feature-length cinema project conceived to be generated entirely with AI. Its fully GenAI-created concept trailer has already been selected for the 2026 Future Vision XPRIZE and is in the running for the SPECS Audience Choice Award. Mark Wachholz and Yoko Higuchi-Zitzmann give an early look at the project and discuss how they plan to take it from concept to feature-length production.

Newly founded by Wachholz and Higuchi-Zitzmann, DREAMKITE takes the #MTHCON stage for its first joint conference appearance as a company.

“VOLCANO HIGH”

Lars Stark | Chapter41 (Beta Film)
Sarika Hemi Lakhani | X Filme Creative Pool

Chapter41 and X Filme Creative Pool present “VOLCANO HIGH”, a hybrid short film shot with real actors and transformed through generative AI in post-production. The performances remain untouched, while environments, architecture and crowds are rebuilt around them — making AI not just a production tool, but part of the film’s visual language.

“Being Bexly”

Tim Greve | seven200. AI Studios
Rainer Matsutani | Red Sun Films

Tim Greve and director Rainer Matsutani open up an AI-generated animation project while it is still taking shape. Rather than presenting a finished result, they give the audience a rare look inside an ongoing production — and at the creative and production decisions being made along the way.

From Full AI to Hybrid to Work in Progress, the three cases show how far generative AI production in Germany has already moved beyond experimentation — and what filmmakers and producers are actually making with it today.