Using a real production project as an example, Robert Förster shows how AI makes existing audiovisual content usable for new markets. The Radiozeit Workflow Engine recognises speakers and music, separates
Using a real production project as an example, Robert Förster shows how AI makes existing audiovisual content usable for new markets. The Radiozeit Workflow Engine recognises speakers and music, separates audio tracks, translates dialogue and generates localised language versions.
At the same time, music recognition helps identify licence-relevant content, check rights and, where needed, replace music with suitable tracks from cleared catalogues. Older episodes can be distributed after automated upscaling, and a Content Composer creates editable drafts for new target audiences and platforms, while editorial control and final approval remain in human hands.
